library

Favorite Library Acquisitions

During my tenure here at The Buffalo History Museum, I have had many interesting items and collections come across my desk. The vast majority are from generous donations and a select few are ones my boss has found. I’ve decided to pick out a few of my favorites to share with you.

McKinley Poem1. McKinley Poem, 1899. Call number: Mss. A2013-33

This poem is written on the back of a note from Augustus Strong of Rochester to Wilson Bissell of Buffalo; however, the author of the poem is unknown. What is so intriguing about the poem is the prediction of President McKinley facing St. Peter and answering for his polices while holding office. The poem was written in 1899 and sent to a resident of Buffalo. As you all know, President McKinley was assassinated two years later in Buffalo.


2. Meldrum’s special Pinochle playing cards. Call number: GV 1235 .M4 1915   HA Meldrum Co Pinochle Cards

Library catalogers typically don’t encounter 3D objects; those are more frequently found in museum artifact collections. However, we received a donation of a deck of Pinochle playing cards from H.A. Meldrum and wanted to include these in the library collection due to the image of the department store on the cards. This was a unique challenge to accurately describe the cards, a 3D object, within the confines of a library catalog that typically deals with paper.


3. Exit 51W / by Kasia Keeley. Call number: Rare N 6498 .P37 B8 2012

This was another fascinating discovery by my boss and would more accurately be described as artwork than a book, as it contains no linguistic content. It proved to be another unique challenge for me as a cataloger. The artist created a serigraphy and cut paper book of scenes along I-90W from the East, Rt. 33 at Exit51W and Rt. 198. The book has a single piece of grey card stock holding it together that once opened, unfolds like an accordion. Over top of the card stock, the artist has cut paper scenes. They include the Statue of David, the Richardson Complex, the Buffalo History Museum, Niagara Street, the Electric Tower and the Liberty building to name a few. If you’re interested in seeing it, stop by the library or check out the artist website: http://www.kasiakeeley.com/Kasia_Keeley_Artwork/Exit_51W.html


4. Edward Cook Freedom Papers. Call number: Mss. A2013-110 A2013-110 Edward Cook Obit

Just like the many archives of the world, we too make our own discoveries. While only ‘lost’ for a short time, the needs of this collection were finally able to be met 10 years after acquiring it. The collection was donated in 2003 by Dr. Bruce Lee, a descendant of Cook. Edward was the son of Henry Cook, who came to Maryland in slavery from Africa. Henry escaped slavery and joined the Mohawk Indian tribe. He met and married Patty, an Indian woman, and together had Edward, making Edward a free man. Edward moved to Buffalo as a young man, where he made a living being a barber at the Mansion House. The collection includes a photograph of Edward, Baltimore County freedom paper certifying he was born free, baptism certificate for Edward, a permission note to travel at night and his obituary.

Queerie Queers
5. Queerie queers with hands, wings and claws with illustrations by Palmer Cox.
    Call number: Rare PR 9199.2 .C69 Q84

This children’s book, illustrated by Palmer Cox, was published by John D. Larkin out of 663 Seneca Street. The book features many short stories, magic tricks to do at home and less than common nursery rhymes. For example, I grew up on the simple version of “Jack and Jill went up the hill to fetch a pail of water.” However, the version John D. Larkin helped to publish had a much longer introduction to Jack & Jill. “For an idle lad, as he was, Jack had no traits, after all, that were very bad. He was simply Jack with the coat on his back patched up in all color from gray to black. Both feet were bare; and I do declare that he never washed his face; and his hair was the color of straw.” Thankfully, his soap business was more successful than his publishing.

Amy Miller
Assistant Librarian & Archivist

Secrets from the stacks: Erie County Penitentiary Prisoner Identification Cards

The “Secrets from the Stacks” is a program that is offered only a few times a year to spotlight items the Research Library does not typically get to show off. The program being held on June 6, 2015 will feature the Erie County Penitentiary prisoner identification cards (Mss. B85-6). The collection dates from 1896 to 1914, with the bulk of the photographs being from 1899 to 1905. This collection was donated to the Research Library by the Erie County Correctional Facility (Wende) in 1986 and just recently has been arranged, indexed and cataloged, making it accessible to interested researchers with a Scholar Pass.

Antwater Back WatermarkThe identification cards used by the Erie County Penitentiary are the precursor to modern day finger printing. The cards mimic the Bertillon system in order to identify repeat offenders by their physical features and dimensions, such as their head length, length of middle finger and the length of their foot. The cards also contain the offender’s name, aliases, age, nativity, occupation, charges and sentencing information. These cards were then arranged by a unique system and referenced upon their re-arrest. The Research Library greatly appreciated the donation due to the collections valuable genealogical, sociological, criminology and anthropological research potential.

The program will feature many of the identification cards for the attendees to view, along with photographs of the Erie County Penitentiary to help place the collection within context and other true crime resources. The program will run from 10 am to 12 pm on June 6, 2015. The completed index is available online, by going to http://tinyurl.com/TBHM-prisoners.

Amy Miller
Assistant Librarian & Archivist

Impact of the Library

TBHM LibraryIf you’ve taken up genealogy, you know the impact of finally finding a picture of your great-grandfather’s tavern. Or seeing a picture of the long-demolished corner deli where you bought Atomic Fireballs as a kid.

And then there’s the impact when a new fact upends your understanding of what happened back when. Gospel truth does gets demoted to urban legend, but first it puts up a fight. One of the just-will-not-die Buffalo urban legends is that in 1901, every house in Buffalo was supposedly photographed for the Pan-American Exposition and we have the pictures. If only it was true!

We do have an estimated 12,000 house pictures dating mostly from 1870-1970, but there was no campaign to photograph the entire city for the Pan-Am. We don’t have pictures of everyone’s house, then or now. There are another estimated 12,000 pictures of schools, factories, churches, hotels, office buildings, grain elevators, and so on. Our pictures are not online, so an in-person visit is needed to see them.

This extensive collection of architectural imagery has another kind of impact: economic.

How so?

Maybe you’ve noticed that Buffalo’s often deteriorated buildings are getting restored, repurposed, and re-occupied at an unprecedented rate. The Lafayette Hotel renovation was just the most celebrated of a long and growing list of rehabs. In Buffalo, existing buildings are attracting more private construction dollars than new-builds. This resurgence has a lot to do with the National Register and New York State’s preservation tax credit program.

In most Buffalo neighborhoods, getting listed on the National Register opens up tax credits for the restoration of old buildings, both residential and commercial. Property owners typically depend on professional architectural historians to write National Register nominations. In turn, professional architectural historians depend on the Library’s collection for historical evidence, visual and otherwise, to make the case for National Register eligibility. We have the region’s largest collection of period photographs, atlases, and architectural drawings.

TBHM LibraryInvestment = jobs, and not just for architectural historians. Bringing back old buildings means hiring architects, engineers, roofers, plumbers, plasterers, electricians, painters, carpenters, decorators, and more. Preservation is good for Buffalo’s economy because when you renovate an existing building, you typically spend about 60% of your budget on labor, which is usually supplied by local talent. In turn, those paychecks are spent mostly in the local economy on rent, groceries, etc. The remaining 40% goes to materials, which are usually manufactured elsewhere. For a new build, that ratio is reversed. Forty percent of your budget goes to labor and 60% leaves the local economy to buy materials made elsewhere.

We like to think that in our own indirect way, the Library is helping save Buffalo, one building at a time.

To learn more about New York State’s preservation tax credit program, go to: http://nysparks.com/shpo/tax-credit-programs/

To learn more about the National Register, go to: http://www.nps.gov/nr/faq.htm

To learn more about the economic impact of historic preservation, go to: http://www.achp.gov/economic-general.html

– Cynthia Van Ness, Director of Library and Archives

*Article featured in the Fall 2013 issue of “The Album”

I Found a Newspaper in My Wall

newspaper_texture2814Every few months, the Library gets a call from a homeowner who is in the middle of a remodeling project. It usually goes like this: “I was tearing out my kitchen/bathroom/den and I found a page/section of Courier-Express/Buffalo Evening News from [date] in the wall/floor/ceiling. Does it have any value? Would you like to have it?”

The newspaper-in-the-wall discovery is surprisingly common. Perhaps it fell in through an opening the attic, a possibility in balloon-framed houses. Perhaps someone working on that wall left it there on purpose. Sometimes I wonder if there was a folk practice among tradesmen to leave a dated artifact behind to show when they had been there. But this is sheer speculation.

From the dates supplied by our callers, it seems that the newspaper-in-the-wall was most prevalent between the World Wars. A simple Google search on found a newspaper in the wall turned up stories from around the country of papers dated from the 1920s to the 1940s found during home remodeling projects.

So, let’s answer the top two questions from homeowners:

Does it have any value?
Probably only sentimental. IRS regulations prohibit museum employees from appraising (determining the market value) of private property. We suggest searching eBay to get a rough idea of values. For example, President Kennedy assassination newspapers in mint condition are listed on eBay from $5 to $100. In the end, an object is worth only what someone is willing to pay for it. Which leads to the second question:

newspaper_texture2821Would you like to have it?
Thanks, but no. Newspapers stored in walls are rarely in good condition. They are likely to be incomplete, torn, brittle, discolored, moldy, mildewed, possibly even infested with insects. We cannot risk exposing museum collections or visitors to these hazards. You have our blessing to display, sell, or discard your newspaper-in-the-wall as you see fit.

Don’t get me wrong: libraries have been collecting newspapers pretty much since the invention of newspapers. We pro-actively purchase them on microfilm. It is stable, compact, sturdy, tamper-proof, and resistant to mold, mildew, and insects. No one can deface a page or tear a picture out of film.

Here at the Buffalo History Museum, we have over 200 years of Buffalo newspapers on about 6,500 rolls of microfilm. Our microfilm reader-printer machines make copies from the film for $.25/each. Plus, like most libraries, we lend our newspaper films via interlibrary loan to out-of-town researchers. Readers who wish to borrow film need to make arrangements with your local library, who will handle the request on your behalf. There may be nominal fees.

Have you found a newspaper in your wall? If so, please send us pictures and stories to add to this page! And if there are homeowners or tradespeople out there who ever stuffed a newspaper in the wall during a remodeling or construction project, please tell us about it.

Cynthia Van Ness
DIRECTOR OF LIBRARY & ARCHIVES

Introducing our new Picture Store

Ladder No 8 Interior_web

From the collection of The Buffalo History Museum.

The Buffalo History Museum is proud to present our new online store, created so individuals, families, or businesses may purchase images from our vast image collection! The museum library is working closely with Digital Ark Corp. out of Providence, RI to deliver high quality scans directly to the purchaser. The new store, “The Picture Store by the Buffalo History Museum,” can be accessed through our website on the Gift Shop page and the Research Library page.

From the collection of The Buffalo History Museum.

From the collection of The Buffalo History Museum.

Currently, there are 191 images to choose from, and every month we are sending new images to be uploaded. Each picture is tagged for a category which will make searching easy and, we hope, intuitive for the user. Starting at $25, you can order these museum quality productions and all proceeds go to collections care and museum operations.

We have worked hard to dissect our collection and to choose images which we feel would help Buffalonians better understand the history of our city and our current place in it. Ultimately, it is our wish that this store can offer insights into the people who have come before us to work, live and play in Buffalo, NY.

Shane Stephenson
Library Technician

Albert H. Chestnut Diaries

French Toast – Dip stale slices in batter of thick milk (1/2 small cup/eggs),

sugar, salt, eggs, vanilla & fry with little more cream then pancakes – can deep fry

Does the recipe trigger a happy memory of cooking with a family member? Or a morning breakfast with a good friend? To Albert Chestnut a recipe was a motivator to help him survive. Albert was a prisoner of war. The Japanese held him captive in the Philippines and Japan for a total of three years and five months during World War II. While captive, he spent much of his time reading, playing cards and writing in his diaries about the poor and inadequate food he was served. At his lightest, Albert weighed less than 100 pounds, was malnourished and tried to obtain vitamins from Japanese doctors. Many of the final pages in Albert’s first diary are devoted to recipes and planning out weeks’ worth of meals for when he hopes to return home; return home to Buffalo.

For the past few months, I have been fortunate enough to spend time transcribing Albert’s diaries. Albert wrote in unusually tiny pencil handwriting, 1/16” at the most, which is why I have been devoting my time and eyes to transcribing his personal piece of history. Because of the pencil writing, there are often words or sections of pages that have become smudged or blurred making it difficult to read portions of the passages.

Albert Chestnut

Albert Chestnut, photo from the collection of The Buffalo History Museum

Albert Chesnut’s first diary begins around April 9th, 1942, the day the United States surrendered at Bataan and Americans and Filipinos were consequently taken captive by the Japanese. April 9th is also the first day of the Bataan Death March; a march that led Albert and the other prisoners up the Bataan peninsula stopping at Marveles, Cabatuan, St. Fernando and finally, ending at Camp O’Donnell, an eighty mile march, which was completed in only eleven days. After nearly seven months of being held at Camp O’Donnell, Albert’s hope of a quick rescue was beginning to fade; “November 1 – Must admit that am quite disappointed for honestly hope help would come by now.” Three days later Albert was sent by train back down to Manila, marched through the business district and held on a dock in the bay for four days. Over a thousand men were then packed below the deck of Nagato Maru, known as a Japanese Hell Ship, and sent to Japan. “November 7 – Last night a real terror – Left Manila about noon as part of big convoy – Really sort of glad to leave Philippines but even ocean breeze cannot help heat and stench of hold where have to eat too – Toilet facilities hopelessly inadequate – Two meals a day – Packed 75% of men below for night as heat terrific – Had hatch covered for time to keep out rain.”

Once in Japan, Albert was sent to Osaka and, on January 16, 1943, he began his stay at a camp know as Zentsuji. While there, Albert faced many of the same conditions as Camp O’Donnell; starvation, poor sanitary conditions, and a constant risk of life threatening diseases. Keeping his spirits up Albert spent much of his time reading censored Japanese newspapers, reading circulating books (“Franklin” by Bernard Fay, “The Well Tempered Listener” by Deems Taylor, “Hunchback of Notre Dame” by Victor Hugo), playing card games, attending prisoner run classes such as Spanish, Trigonometry and Bookkeeping, and going to lectures at night also given by other prisoners.

I am beginning transcription of the second diary and have reached December of 1944, but still have months to get through. As of December 1944, Albert is still being held at Zentsuji, but as I read, I routinely find heartbreaking entries such as these:

“March 17 1943 – Another glorious spring day for St. Patrick’s Day – Badly miss the little Irish box sis always sent for the season.”
“April 26 1943 – …Certainly miss Easter eggs and basket of other years which gave me so much pleasure for days afterwards.”
“June 6 1943– Today is sis’ birthday and feel sorry can’t help her celebrate.”

Pages from Albert Chestnut's diary, from the collection of The Buffalo History Museum.

Pages from Albert Chestnut’s diary, from the collection of The Buffalo History Museum.

Reading and transcribing these diaries have taken me to another place in a different time and have reminded me to be grateful for everything I have. For curious readers, I skipped ahead to Albert’s final entry on October 22 1945; he writes “This was the day of days, the culmination of over four years of hoping, waiting and praying – At just past 12:30AM train left Buffalo and mother and sis waiting with box of cookies and other stuff.”

Albert Chestnut donated his diaries, the photograph in this post, his Army commission and other family papers in 1999 (Mss. A99-10). Due to the fragility of the diary bindings and the possible handling smudges, the physical use of the diaries are restricted to serious researchers with a valid ID from an institution of higher learning and are engaged in a PhD dissertation. I invite you to come in to the Research Library, take advantage of the transcription and take a transformational journey with Albert Chestnut.

Amy Miller
Assistant Librarian