Part of the process of preparing for a major exhibit is to get familiar with the relevant material items in our collection. One of the things we did in the Library is to compile a bibliography, called Buffalo in World War I, which gives the researcher a good idea of what we have before planning a visit.
We thought we’d feature a few World War I pieces in this newsletter.
In 1918 and 1919, the U.S. Government hosted a series of War Expositions around the country. The show came to the Broadway Auditorium and Elmwood Music Hall from January 4 to 12, 1919. Some of the featured exhibits were American war trophies; weapons and other goods from the U.S Army & Navy; a British government collection of war relics; a British collection of German contraband found in the mails; military training material about “social hygiene” (sexually transmitted infections), and live demonstrations of Boy Scout skills. The Library has the souvenir catalogue from the Exposition.
Fort Porter Reporter, January 31-September 29, 1919
Long demolished to make way for the Peace Bridge, Fort Porter was an active Army base during World War I. This newspaper succeeded Trench and Camp as the fort’s weekly soldier paper. It reported on such activities as the construction of a new garage; the arrival of male nurses; the value of the X-ray; the anticipation of a jazz dance at the Elmwood Music Hall; the meaning of insignia on uniforms; the proper disposition of enemy goods captured during battle; and notices of casualties, weddings, and promotions. Our issues are in hard copy in a single bound volume.
It is a short publication with a long name. This foldout brochure was compiled by the Buffalo Commission on War Camp Community Service in 1918. The first order of business was to alert members of the armed forces where they could find inexpensive lodgings in Buffalo. In 1918, there were three Service Clubs operating, all in or near downtown Buffalo. These were destinations designed for visiting soldiers, featuring such amenities as meals, baths, “writing rooms,” reading rooms, and entertainment. Servicemen were also informed about libraries, military offices, railroad stations, hospitals, major churches, and entertainment. During the war, seats at the Buffalo Baseball Park, later the site of Offermann Stadium, were free to men in uniform.
Duffy’s War: Fr. Francis Duffy, Wild Bill Donovan, and the Irish Fighting 69th in World War I
Published in 2008 by Stephen Harris, this book is one of our more recent acquisitions. The 69th Infantry Regiment is presently headquartered in Manhattan. During World War I, one of its members was a Buffalo soldier, William J. Donovan, who later went on to found the Office of Strategic Services, known today as the CIA. When he joined this unit, Donovan was a 34-year-old attorney. At the end of the war, he was a colonel. Francis P. Duffy, a military chaplain, was revered by his troops and earned more decorations than any other clergyman in U.S. Army history. Duffy Square in New York City is named in his honor.
This slogan was coined to support the Liberty Loan drives. It was produced and distributed as a poster and handbill. In a previous newsletter, we published a photograph of a young man pasting it to a telephone pole. In the Library’s vertical files are examples of the original poster in its original red, white, and blue. You may order your own copy by clicking on the poster.
Cynthia Van Ness, MLS
Director of Library & Archives
*This article was featured in the Spring 2017 issue of The Album, The Buffalo History Museum’s quarterly newsletter.
Starting in the mid-1960s, a Greek immigrant named James Eoannou purchased his friend’s concession pushcart and began selling popcorn, peanuts, and corn-fritters in North Buffalo neighborhoods. He later moved to Delaware Road and began servicing the suburban neighborhoods in the Town of Tonawanda and the Village of Kenmore. One of the signals that summer had come to Buffalo was the arrival of the popcorn man. James was a full-time cook for the Buffalo Athletic Club and loved to go for long, rambling walks. He decided to put his walks to good use and bring some joy to children, and often the adults, of these neighborhoods. 
2. Read a newspaper published the day you were born. We have Buffalo newspapers on microfilm from 1811 to about 2011, including Polish and German papers published here. We can get out y
5. Look at Buffalo & Erie County atlases. We have roughly one per decade from 1850 to 1950, with a few gaps. What’s great about them is that they show footprints of individual houses & buildings that used to be there or might still be there today. You can look at them one by one and see when your house first appears, which helps you narrow down when it was built.
In our upcoming World War I exhibit, “For Home and Country”, we will be featuring an oil painting by Lt. Clement C. Beuchat, entitled “78 Lightening Division at Thiaucourt, France, 1918”. This piece depicts a group of World War I soldiers on horseback in the town of Thiaucourt, France, most likely illustrating the remains of the town during or after the Battle of Saint-Mihiel.
While doing the research on this painting and Clement, I learned that Beuchat was an original member of the Saturday Sketch Club in Springbrook, New York along with other artists such as Arthur Kowalski, Harry O’Neill, William J. Schwanekamp, and Julius Lankes. 
This is notable because there is a sketch box used by Buffalo painter and engraver, J.J Lankes as part of the Saturday Sketch Club, in our collection. The Saturday Sketch Club was formed in reaction to the dismissal of Mr. Earnest Fosberry, an artist and teacher at the Buffalo Fine Arts Academy. A group of students, including those mentioned above, created this art school with Mr. Fosberry as their instructor and critic, as a way to protest the firing of their favorite teacher.
The students would meet at a cabin out in Springbrook, NY to immerse themselves in nature. They all had their own sketch boxes with attached seats that were portable and could be carried throughout the surrounding area to set up a painting station wherever they liked. The sketch boxes, like the one in our collection, were made up of wooden boxes attached to wooden folding stools that had multi-colored canvas seats for the artists to sit on while they worked. The boxes opened on metal hinges that locked to create makeshift easels. Inside the box would be all the tools an artist would need including a wooden palette, paints, paintbrushes, and charcoal.
From 1909 until 1918, Stein operated Stein’s Ale Brewery in Medina but returned to Buffalo as the brewmaster of the Binz brewery at 797-807 Broadway Ave. In 1920, Prohibition closed all breweries but Stein purchased the Broadway Ave. building in 1928 and began manufacturing liquid malt, concentrated malt and syrups to sell to bakeries as the Broadway Blending Company. When beer was legalized in 1933, Stein began to brew beer again at the George F. Stein Brewery Inc. until his death in 1938.
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