Collections

The Apostolic Clock and its many Mysteries

What has an Apostles train that parades every 30 minutes, shows the moon phases, the location of the sun in the sky, and tells you the day and month all at once? Our Apostolic Clock!
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(If you aren’t familiar with the clock, you can read more about it here and here)

If you are familiar with any of our social media platforms (Instagram, twitter, Facebook), you would have seen that the Apostolic Clock has taken up residence in the entryway of the museum and has resumed enchanting guests with its parade of Apostles.  However, you might not have known about some of its mysteries!

Did you know that…

  • The clock has three different parts that have to be wound at different times? The Apostles parade every 30 minutes so they wind down the fastest; they have to be re-wound every 2 days – if they aren’t, they become stuck 1/3 of the way on parade!
  • Originally, the Apostles paraded on the hour, but it was altered to parade every 30 minutes at the request of museum staff. Marv DeBoy who worked on the clock with Mr. Albert Bull from 1974 onwards, made the modifications.
  • Today, the Apostles come out of a set of doors that opens inward. The doors used to be glued together and opened outward as a single door.
  • All of the Apostles are hand carved and painted wooden figures. While very similar, they differ slightly in the position of their hands, the clothing arrangement and colour and hairstyle.
  • At the top of the clock, there are mysterious metal fixtures that seem to have no purpose. Fred Robjent and Chris Tahk, our wonderful volunteers who have helped maintain the clock for years, have not yet found a purpose for them! Do you know what they are for?
  • There is a hole on the left side that may or may not have been for a light switch. What the light may have illuminated is a still a mystery.
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    • The face of the clock has two larger dials that have painted tin plates of scenery (one even has a castle!) that move independently of each other to mimic moon phases and the movement of the sun.

     

    • The moon dial completes a single revolution ever 91 days and is propelled by a lead weight (which is unusual in design and construction[1])

     

    • The dial with the sun completes a revolution every 24 hours (for 24 hours in a day). What is very interesting though is that the tin plate is mounted on vertical guides – these move the horizon up and down to reflect the winter solstice (at the highest point) and the summer solstice (at the lowest point)!

     

    • The 8-inch terrestrial globe at the bottom of the clock rotates once every 24 hours and is very fragile! It has been conserved at the State University College at Buffalo Art Conservation Department twice: once in 2002 and then in 2008In 2008, wooden dowels were attached inside to help give the globe more structure.  Below are some great ‘After Treatment’ images from its last visit to the Art Conservation Department.

    globe-views

    Now that you know a little more about our clock, you should come for a visit and see how many of these you can spot!  Have you seen any other mysteries about the clock? We’d love to hear any answers or theories – even more mysteries!

Britt Call,
THE GREG D. TRANTER COLLECTION MANAGER

 


[1] P41. HAGANS, Orville R. “The Myles Hughes Apostolic Clock.” Watch & Clock Review 50.8 (August 1983): 40-43.

ABOUT THE COLONEL GARDNER LEGACY FUND

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Gardner Coins

Colonel Gardner was a life-long resident and an enthusiastic booster of Buffalo. A collector, he avidly pursued interests in coins, stamps and local history.

The old Historical Society “day books” document his frequent visits to donate items from his collections. With the support of Colonel Gardner’s descendants, TBHM deaccessioned the numismatic and philatelic collections.

Proceeds from the sale established the Colonel H. Gardner Fund in 2005, providing resources to preserve, share and build our collection.

Since the Fund was established, it has provided The Buffalo History Museum the ability to:
· Conserve 132 artifacts, contributing over $180,000 in expert artifact treatment.
· Purchase nine acquisitions, from Charles Penny’s Larkin collection to a collection of artwork by Hubert Crawford.
·  Invest over $884,509 in state-of-the-art collections care and storage.

Prior to the Gardner Fund, the Museum had to seek funds for artifact conservation 3-5 years before an exhibit could be produced. It took years to raise funds to conserve the artifacts displayed in our 2001 exhibit, Spirit of the City: Reimagining the Pan American Exposition.

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Conservation treatment of Commodore Perry’s mess table from the U.S.S. Lawrence during the War of 1812.

The Gardner Fund has liberated us in many ways! An example is our series of War of 1812 exhibitions. We started artifact conservation using our own resources provided by the Gardner Fund as soon as we began planning the exhibits.

Kim Luangpakdy
Director of Development

 

 

Education & Educators at The Buffalo History Museum

Hello!  My name is Doreen Dell and I am the education assistant at The Buffalo History Museum. As teacher for 50 years, my position at the Museum perfectly aligns with my passion and expertise as an educator and history lover. Additionally, I get to work with teachers and students all over Western New York, a privilege I have always enjoyed. I’m excited about this coming October and looking forward to meeting educators who are not only seeking to share Western New York history with their students, but to share ideas with Museum staff and colleagues. Through our new after-school event, Teachers’ Night Out, we hope to help teachers unwind from a day of teaching and socialize over the Museum’s offerings.

Mark your calendar: Teachers’ Night Out will be held on Wednesday, October 12 from 4 – 6 pm at The Buffalo History Museum.

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Buffalo Bliss photo studio located in the Street of Shops

Teachers will have multiple opportunities to learn about the resources available while exchanging ideas with other teachers. Featured are tours on varied topics that will suit a number of lesson plans: We have World War I posters, Paper Bullets: The Posters That Sold the Warin our State Court. You can see Inside Tim Russert’s Office: If it’s Sunday, it’s “Meet the Press” exhibit. The John R. Oishei Native American Gallery exhibit features the history of the Haudenosaunee. In The John R. Oishei Pioneer Gallery, you can learn about Buffalo Creek from 1806 to the burning of Buffalo. The Neighbors exhibit highlights those who came to Buffalo and made the city what it is today. In the Victorian Street of Shops, early businesses are featured on a cobble stone lane. The Bliss photo studio is popular with youngsters and funsters who like to dress up and take selfies for social media sharing. thumb_img_2507_1024My personal favorites are the newly developed history kits, proven to be an effective teaching tool that students will love; the Native American Kit and the Pioneer Kit have artifacts, reproductions, mini posters and an activity book and are available to rent for your classroom. These kits have been met with rave reviews. You will also have the opportunity to try your luck at identifying an artifact from the early 1800s as you examine our Artifact Detective Program that can be presented at your school.

In addition to the program tours and learning tools to explore, our research library will be open so that you can learn how to obtain primary source materials.

Other participating cultural organizations include: The Herschell Carrousel Factory Museum, Buffalo Niagara Heritage Village, Steel Plant Museum of Western New York, Old Fort Niagara, and the Niagara Frontier Council for the Social Studies.

Did I mention there will be prizes and a happy hour? One of my favorite parts of my job is working with teachers to integrate our resources into their programs. Drop in for a minute or stay as long as we’re open; I look forward to meeting you and your classroom needs.

How to connect with Buffalo history from the comfort of your home

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When you can’t use our books in person, you can sometimes connect online.  Every Buffalo researcher should get to know these online book sites. 

Google Books: https://books.google.com
We LIVE at Google Books. For historical researchers, Google Books is the most important part of the Google empire. For several years, Google has partnered with several major libraries, including Harvard, Cornell, and the New York Public Library, to digitize millions of books and periodicals.  The results are full-text searchable for names of individuals, places, specific phrases, businesses, organizations, events, anything you’d look for the regular Google home page.  Fortunately for us, many of the participating libraries happened to collect books on Buffalo. 

Your search results will have 4 levels of access:
1. Full text: the entire book is online
2. Preview: you can read multi-page excerpts but not the entire book
3. Snippet: you see only the paragraph or sentence containing your search term(s)
4. No preview: the book is not online, usually because the sole surviving copies are owned by one of the many libraries (like us) who are not part of the Google Books project.

Other useful features: you can bookmark your finds in a feature called My Library and share your lists.  You can download entire free books in PDF and read them offline.  Because Google is a business, you can also purchase newly released e-books for your e-reader.

Archive.org: https://archive.org/details/texts
Archive.org is the not-for-profit alternative to Google Books.  It presently has 8.8 million volumes online and all are free and full text.  Their library partners include the Library of Congress, the University of Toronto, and Columbia University.

To search it, click on the magnifying glass icon in the black navigation band across the top of your screen. Archive.org lags behind Google Books in its full text searchability for a specific name, phrase, or term.  However, anyone can upload a text to Archive.org.  Download options include formats designed for screen-readers used by people with vision loss.

HathiTrust: https://www.hathitrust.org
HathiTrust is a consortium of a hundred academic and research libraries around the world who are digitizing books.  It presently has 13.8 million volumes online. About 40% are available for free in full text.  To download a book that is still protected by copyright, you have to be affiliated with a member institution.  At present, the closest participating institution is the University of Rochester.

Like Google Books, HathiTtrust offers you the option of searching the full-text of everything for a name or phrase.  You can create collections (bookmark your finds) and share them.  You can also limit your search to books that are online in full text.

Project Gutenberg: https://www.gutenberg.org
The Gutenberg Project is the grand-daddy of all online book sites, founded in 1971 before any of us had ever heard the words Internet, Browser, or Digitize.  It presently offers over 50,000 books, all of which are online for free in full text with several downloading options.  Gutenberg is full-text searchable, as well as browsable by author, title, and subject.  Unfortunately, the Buffalo content here is minimal.

FRANK, our online catalog: http://tinyurl.com/frank-catalog
Naturally, we cannot omit our largest in-house digital project, our online catalog.  It lists over 27,000 distinct books, manuscripts  & microfilms in the Research Library collection.  We are continually cataloging new and old stuff.  When we learn about free online versions of works that we own in hard copy, we build links into the bibliographic record.  Try searching for a person, place, thing, business, church, organization, event, and maybe one of your results will lead you to a full-text, online version.

Cynthia Van Ness, MLS
Director of Library & Archives

*This article was featured in the Spring 2016 issue of “The Album”

Participate In Our Next Exhibit

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Would you like to participate in an upcoming Buffalo sports exhibit? Here’s how: The Buffalo History Museum is planning a feature exhibit, Icons: The Makers and Moments of Buffalo Sports. Opening in 2017, the exhibit will explore Western New York’s rich sports history and investigate the unique connection between fans and our beloved local teams.

We’re collecting memories from the community to help shape our story. The survey will take 15-20 minutes of your time, and asks you to recall who you remember to be the top ten moments, figures and teams. Your submissions will help shape the exhibit by determining the stories we highlight.

Follow the link for the survey: Icons: The Makers and Moments of Buffalo Sports Survey

The Greg D. Tranter Collection Manager, the Buffalo Bills Collection and what to expect in the Future

BRC at desk. JUNE blog
Here I am surrounded by my current project – working my way through the collection of die-cast model cars, busses, trucks and airplanes.

A little more than a month ago, I accepted my current role as the Greg D. Tranter Collection Manager at The Buffalo History Museum.  You may say that I am in training to become the ‘resident Buffalo Bills expert.’  I am responsible for the cataloguing – what we call ‘accessioning’ – of the Buffalo Bills collection donated by Greg D. Tranter that was announced to the public at the end of April 2016.

 

GDT at desk. JUNE Blog

Greg is pictured at the desk where he does most of his preliminary work before sending the objects to us at the museum.

It isn’t just any “Buffalo Bills collection” though – in its entirety, it includes 100,000 artifacts and archival objects and it has been reported on heavily here in Buffalo and even as far as Boston.  The Sports Collectors Daily described the collection as “jaw-dropping” – I would agree, wholeheartedly.  For a Bills fan, it is jaw-dropping for the singular reason that it is an enormous collection celebrating our football team.  It celebrates the good, the bad and the ugly, depending on how you wish to interpret certain events: wide-right, anyone?  For me, it is jaw-dropping because of the complete and exhaustive collecting undertaken by Greg: for example, the collection includes every single program ever produced since the very first game in 1960; he isn’t missing a single one!  If a series of Christmas Ornaments was produced, Greg collected every one of them so that there would be a complete grouping.


Subj Card. JUNE blogSo, what’s happening with it?
The accessioning process for the tens of thousands of artifacts is going to take years and the steps we take to register an object can be time consuming, especially if it a multi-piece object (like a Tailgating themed pick-up truck with tailgating accessories – a grill, a couple of coolers, etc).  Every single object goes through our cataloguing process which includes a number of steps.  Once the white cotton gloves have been put on, an object is carefully handled and described: we take note of any labeling on the object or packaging, the condition it is in (we look for any scratches but also remark if it’s in excellent condition), and then we measure (for storage and display) and take photographs.  Every object is assigned a unique identifying number, what we call an Object ID; once the number has been assigned, we input all of the data into our cataloguing system, Past Perfect.  The end result is a Subject Card that gets added to our vertical files that are housed in filing cabinets (like the one in the photo to the right).  This allows us to have two points of reference; the new system of Past Perfect and the old catalogue-card system.

The final step in the process is to find a “home” for the object in our storage. We store everything in acid free boxes that are organized by classification.  This is done for the long-term preservation of an object but also to ensure easier discovery for future Collections staff.

Stein. JUNE blogOkay, so there is still a lot of work to be done. Can we still see the Collection even though it isn’t on display?
Absolutely!  We have lots of projects on the go to ensure that we are sharing the collection with you.  Over the next year, we’ll be putting together a virtual exhibit that will be accessible on our website (www.buffalohistory.org); it will include a variety of objects and related information, in addition to some oral histories shared by the donor, Greg.  Like the accessioning process, that will take time.  In the meantime, I plan to do a few more blog posts since I could talk forever about the parts of the collection that fascinate me (like the Art Baker jersey or the O.J. Simpson “See-Action” football board game and the “Bermuda Triangle” poster with Fred Smerlas, Jim Haslett and Shane Nelson)!  More immediate though, is our sharing on social media; if you don’t follow us on Instagram, Twitter or Facebook and you would like to see more of the Greg D. Tranter Buffalo Bills Collection, you should! We would love to hear your thoughts, memories and stories about an object we share – maybe you even have the same thing at home.

So, to end, I offer three things about myself:

  • I was convinced that the entire collection could fill the field at Ralph Wilson Stadium… but I have been assured that it probably can’t
  • The red standing buffalo logo is my favorite of all of the logos (it’s also Greg Tranter’s favorite logo!)
  • Of the few hundred objects I have accessioned thus far, this stein is my favorite object. It has a raised scene of a football game, complete with a quarterback and referees and an oversized logo at the front.

Go Bills!

Britt Call,
The Greg D. Tranter Collection Manager

Related Links:

Sports Collectors Daily – https://www.sportscollectorsdaily.com/jaw-dropping-buffalo-bills-collection-donated-museum/

Link to: My Collecting Passion: https://buffalohistorymuseum.wordpress.com/2014/09/06/my-collecting-passion/

Spotlight Artifact: Niagara Gorge Suspension Basket

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Basket, Suspension Iron Judge T.G. Hulett Ca. 1847

In 1846, New York State granted a charter to the International Bridge Company to build a suspension bridge across the Niagara River. At the same time, Canada granted a charter to the Niagara Falls Bridge Company of Canada West for the same purpose. The two companies came together to form a joint board of directors and hired Charles Ellet, Jr., a noted engineer and bridge builder from Philadelphia to build a wire railroad suspension bridge across the Niagara river about two miles below the Falls. It was Charles Ellet, Jr. who approached Theodore Graves Hulett about overseeing the iron works for the bridge and came to him with the first task of establishing a convenient means of communication across the gorge.

The Niagara gorge suspension basket has always drawn visitors’ attention. Constructed to carry people, with their tools and messages, across the Niagara gorge below the Falls, Ellet originally planned for this car to be made of wood. He wanted to build two towers on either bank with a wire cable stretched between and a car or basket suspended from the cable, large and strong enough to carry at least two people.  T.G. Hulett eventually convinced Ellet that a basket made of iron, with wooden seats, would be light enough to cross the wire with the use of iron rollers, but be strong enough to support passengers. The first passage was in the spring of 1848 and was made by Charles Ellet, Jr. This basket carried workmen and civilians alike, and it is estimated that approximately three-fourths of the passengers were women.

Rebecca Justinger
Registrar

*This article was featured in The Buffalo History Museum‘s Fall 2015 issue of The Album.

Abraham Lincoln and Buffalo, NY

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The Lincoln statue was originally located in the State Court, it was commissioned by the Lincoln Birthday Association, founded by, and in honor of Buffalonian Julius E. Francis. (Charles H. Niehaus, Sculptor; 1902)

“Tens of thousands shall inhabit this country where only thousands inhabit it now.”

President-elect Abraham Lincoln arrived at Buffalo’s Exchange Street Station on the evening of Saturday, February 16, 1861, while journeying to Washington for his inauguration. Today the site is occupied by a modern Amtrak station.

Lincoln was met by former President Millard Fillmore and an enormous, enthusiastic crowd. By some estimates, 75,000 citizens swarmed downtown Buffalo to get a glimpse of the new president.

After making his way through the crowds to the American Hotel, Mr. Lincoln appeared on the balcony and was welcomed by the acting chief magistrate. The site of the American Hotel is now occupied by the Main Place Mall. 

Readers may be interested to know what he said to Buffalo on that day: “MR. MAYOR AND FELLOW CITIZENS:—I am here to thank you briefly for this grand reception given to me not personally, but as the representative of our great and beloved country. Your worthy Mayor has been pleased to mention in his address to me, the fortunate and agreeable journey which I have had from home—only it is rather a circuitous route to the Federal Capitol. I am very happy that he was enabled, in truth, to congratulate myself and company on that fact.

It is true, we have had nothing thus far to mar the pleasure of the trip. We have not been met alone by those who assisted in giving the election to me; I say not alone, but by the whole population of the country through which we have passed. This is as it should be. Had the election fallen to any other of the distinguished candidates instead of myself, under the peculiar circumstances, to say the least, it would have been proper for all citizens to have greeted him as you now greet me. It is an evidence of the devotion of the whole people to the Constitution, the Union, and the perpetuity of the liberties of this country. I am unwilling, on any occasion, that I should be so meanly thought of as to have it supposed for a moment that these demonstrations are tendered to me personally. They are tendered to the country, to the institutions of the country, and to the perpetuity of the liberties of the country for which these institutions were made and created.

Your worthy mayor has thought fit to express the hope that I may be able to relieve the country from the present, or, I should say, the threatened difficulties. I am sure I bring a heart true to the work. For the ability to perform it, I trust in that Supreme Being who has never forsaken this favored land, through the instrumentality of this great and intelligent people. Without that assistance I should surely fail; with it I cannot fail.

When we speak of the threatened difficulties to the country, it is natural that it should be expected that something should be said by myself with regard to particular measures. Upon more mature reflection, however, I think,—and others will agree with me—that, when it is considered that these difficulties are without precedent, and never have been acted upon by any individual situated as I am, it is most proper that I should wait and see the developments, and get all the light possible, so that, when I do speak authoritatively, I may be as near right as possible. When I shall speak authoritatively, I hope to say nothing inconsistent with the Constitution, the Union, the rights of all the States, of each State, and of each section of the country, and not to disappoint the reasonable expectations of those who have confided to me their votes.

In this connection, allow me to say that you, as a portion of the great American people, need only to maintain your composure, stand up to your sober convictions of right, to your obligations to the Constitution, and act in accordance with those sober convictions, and the clouds which now arise in the horizon will be dispelled, and we shall have a bright and glorious future; and, when this generation shall have passed away, tens of thousands shall inhabit this country where only thousands inhabit it now. I do not propose to address you at length. I have no voice for it. Allow me again to thank you for this magnificent reception, and bid you farewell.”

Source:
Crosby, Frank
Life of Abraham Lincoln, Sixteenth President of the United States: Containing His Early History and Political Career; Together with the Speeches, Messages, Proclamations and Other Official Documents Illustrative of His Eventful Administration, pp. 75-77. Philadelphia, PA: J.E. Potter, 1865.

Crosby’s book is online in full text at Google Books. Paragraphs were added for the purpose of this article.

Cynthia Van Ness, MLS
Director of Library & Archives

*This article was featured in The Buffalo History Museum‘s Spring 2015 issue of The Album.

** For more Lincoln love join the Buffalo Civil War Roundtable as they celebrate President Lincoln’s Birthday. There will be a short program and a Lincoln orator. Join uniformed re-enactors as they perform a rifle salute on the Portico. Local authors will be present and there will also be activities for the whole family. Sunday, February 14, 2016 from 12-2pm. FREE. More info at buffalohistory.org.

Buffalo Newspaper Custom Search Engine

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One of our most frequently asked questions is “Can I search old Buffalo newspapers online?” The answer is, “It depends.” Some newspapers have been digitized at some websites, which we talk about below. But all of the major Buffalo newspapers starting with our first paper, the Buffalo Gazette, founded in 1811, are not online in any comprehensive or systematic way. We hope to make an announcement soon about a newspaper digitization plan.

Until then, there are multiple online newspaper sites with random chunks of this or that newspaper, so we decided to make our own search engine to make it easier to access them. We focused on sites likely to have Buffalo articles and sites indexed by Google.

When we had several that fit the bill, we set up a custom search engine called Buffalo Newspapers.

With this single search box, you can simultaneously drill into these newspaper sites and use all of the Google operators you’ve gotten used to, like quotation marks to find a phrase, or the –(minus symbol) to leave out a word. Four of the sites are free, but two have a paywall or require a paid membership. At the pay sites, you may get the first paragraph free, which will help you decide if it is worth purchasing the entire article.

 

What’s Under the Hood:

Name of Site Comments Coverage begins Coverage ends Fee or Free Indexed by Google
Buffalo News The Buffalo News does not permit Google to index its archives, but it has a reseller, Highbeam.com, who does 1998 present $ Yes, through Highbeam.com
Chronicling America This is where the Library of Congress is gradually digitizing the nation’s newspapers Colonial Era 1922 Free Yes
FultonHistory.com Scanned microfilms from around upstate NY, with imperfect OCR[i] 1795 2007 Free Yes
New York Times The NYT used to pay attention to Buffalo. When you open a link from the NYT, look for the tiny link to download a PDF 1851 1980 Free Yes
Newspapers.com Operated by Ancestry.com, presently has 61 newspapers from around New York State 1797 1977 $ Yes
NYShistoricnewspapers.org  This is a collaborative effort to   host digitized newspapers from around New York State Colonial Era 1922 in most cases Free Yes

[i] OCR stands for Optical Character Recognition, the software that enables a computer to “read” printed pages and make them full-text searchable

If you like this search engine, we invite you to embed it at your blog or website. Please contact us in the Library to request the code: library@buffalohistory.org.

Cynthia Van Ness
Director of Library and Archives

History of the Julia Boyer Reinstein Center

Julia Boyer Reinstein Center

Julia Boyer Reinstein Center

Every wonder what the story is behind that little building across from The Buffalo History Museum lot? Well here are some fun facts to learn more about The Julia Boyer Reinstein Center!

• Built in 1920 for Leonard Adams. Mr. Adams helped to design the house, which he used as both a residence and a music studio before his death in 1984.

Purchased in 1989 by The Buffalo History Museum as a project of the “History Lives here” capital campaign to serve as office/meeting space.

• The Historical Rehabilitation project was completed August 1, 1992, by Hamilton Houston and Lownie Architects, P.C.

• The building was named after Julia Boyer Reinstein. Dedicated to both history and libraries, Julia Boyer Reinstein served as the Cheektowaga town historian for many years and was active in the creation of numerous town historical societies across WNY.

• The contributions of Julia Boyer Reinstein and others throughout the community made the purchase and historical rehabilitation of the building possible.

• A full-length portrait of Julia Boyer Reinstein painted by local artist Mary Smith hangs on the landing of the split staircase.

IMG_4994• The Reinstein Center features two meeting rooms (40 people/15 people). The larger room is graced by an arched window measuring approximately 12’x 12’. The window sits in an “Architectural Frame” that centers the window both in the main room and across the outside of the building.

• In 1994, the Landmark Society of the Niagara Frontier awarded the Pewter Plate Award to The Buffalo History Museum in the recognition of the Julia Boyer Reinstein Center as an exemplary restoration and adaptive re-use project.