Sports

ICONS: Grant “Home Run” Johnson

Grant_(Home_Run)_JohnsonAfrican-American Grant Johnson began his career as a fleet, power-hitting shortstop with the integrated semi-pro home town Findlay Sluggers, one of the fastest nines in the Hancock County, Ohio area. Able to hold their own against visiting Major League clubs, in October 1893 Johnson led his club to a 5 to 4 victory over the visiting National League Cincinnati team, hitting two home runs against the Majors’ top hurler, 35 game winner Tony Mullane.  In the following year, Johnson is reputed to have struck 60 home runs for his squad, thus earning his nickname of “Home Run.” The Sluggers of 1894 also boasted the venerable baseball skills of John “Bud” Fowler–perhaps the black baseball pioneer–at second base. In 1895, with the tragic onset of segregated baseball, Fowler and Johnson relocated to Adrian, Michigan, where they formed the formidable traveling Page Fence Giants.

These Giants claimed the honor of being the best club in black baseball in 1896. By 1899 they had migrated to Chicago, claiming a second championship in 1901 as the Columbia Giants. Johnson next moved to the New York City-based Cuban X-Giants, helping to lead them to a championship over the Philadelphia Giants in 1903. In 1905 Johnson, now the shortstop with the Philadelphia Giants, helped lead that club to an Eastern championship.  He also picked up a reputation as a fine spot starter as a pitcher, winning six games in 1905.

Off the field, Johnson was one of the men who helped to form the National Association of Colored Professional Clubs of the United States and Cuba, predating the formation of the great Negro National Leagues of the 1920s and 1930s. Returning to New York City, Johnson managed/captained his Brooklyn Royal Giants to consecutive championships in 1908 and 1909. In 1909, Johnson also took time out to get married in Florida while on route to Cuba winter ball.

Equally a star in Cuban baseball, Johnson’s teams won championships in the 1908/09 and in 1911/12 seasons, with Johnson captaining the latter squad.  In a 1910 series in Cuba against the Detroit Tigers, he hit big league pitching for a .412 average, outslugging Ty Cobb.  And in other exhibition games against other Major Leaguers throughout his career, he was noted for his prowess by none other than Walter Johnson, victor of 417 Major League games for the American League Washington Senators.

The early years of the 1910s found Johnson penciled in at second base first for the Leland Giants and then for the New York Lincoln Giants, making way for the younger John Henry Lloyd (Hall of Fame) at shortstop. The Lincolns claimed the Eastern Independent Clubs championship trophy in 1913, Johnson leading the team in hitting with a .452 average–at age 41.

Delaware diamond1927

Deleware diamond, 1927.

After 20 years in the top tiers of black baseball competition, 1915 found Johnson, now 43, in Buffalo, New York, managing and shortstopping the semi-pro Pittsburgh Colored Stars of Buffalo. He would continue his affiliation with Buffalo until his death in 1963, leading the Colored Stars for many years as both shortstop and, later, second baseman, playing with friend and Hall of Fame outfielder Pete Hill on Hill’s Colored Elks, and continuing to face off—and hold his own—against Major Leaguers, including Babe Ruth in 1920.   Developing young new black baseball talent was Johnson’s gift to his players, and for this phase of his career he garnered the nickname “Dad.” He was a man of fine reputation, a non-drinker, non-smoker and an excellent role model for his young charges, still taking the diamond at age 61 in semi-pro appearances.

 

Re-integration of Organized Baseball in Buffalo did not come until 1946 with the appearance of Jackie Robinson in a Montreal Royals (International League) uniform on May 19, 1946 at Offermann Stadium, but in truth the first men with the courage to integrate Buffalo baseball were Home Run Johnson and his teammate John Emory, playing in the Buffalo Municipal Baseball League for the white semi-pro Phoebe Snows of Lackawanna against the white Buffalo Oakdales on Diamond No. 2 in Delaware Park on June 24, 1917.

Of significant note for Buffalo’s cultural history are Johnson’s off-field accomplishments as a gifted singer.  Blessed with a beautiful baritone voice that first found outlet in his AME church in Findlay, Johnson and other ballplayers exercised their vocal skills on barnstorming trips, later finding his voice with the Buffalo Clef singing group and as a founding member of the Buffalo Choral Society. The latter group recognized him for his contributions at a gathering in 1958, by which time he had become a resident of the Erie County Home for the Blind.

Grant Johnson died on September 4, 1963 in Buffalo, New York.  He is buried in Lakeside Cemetery in Hamburg, New York, Section 3, Row 22, Grave 27. A headstone and plaque was placed on June 24, 2014, made possible by:  Lakeside Cemetery, Benefactors of the Forest Lawn Heritage Foundation, the Negro Leagues Baseball Grave Marker Project and Friends of Buffalo Baseball History.

Howard W. Henry, Jr.
Founder of Friends of Buffalo Baseball History
hwhjr98@gmail.com  

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Seamheads.com research as of 2014 credits Johnson with a 15-year Negro League batting average of .336.

Thanks to Gary Ashwill for review and additions/corrections to this article, and to Jeremy Krock for guidance in the grave marker project.

 

Participate In Our Next Exhibit

Icons-PennantLogo

Would you like to participate in an upcoming Buffalo sports exhibit? Here’s how: The Buffalo History Museum is planning a feature exhibit, Icons: The Makers and Moments of Buffalo Sports. Opening in 2017, the exhibit will explore Western New York’s rich sports history and investigate the unique connection between fans and our beloved local teams.

We’re collecting memories from the community to help shape our story. The survey will take 15-20 minutes of your time, and asks you to recall who you remember to be the top ten moments, figures and teams. Your submissions will help shape the exhibit by determining the stories we highlight.

Follow the link for the survey: Icons: The Makers and Moments of Buffalo Sports Survey

The Greg D. Tranter Collection Manager, the Buffalo Bills Collection and what to expect in the Future

BRC at desk. JUNE blog
Here I am surrounded by my current project – working my way through the collection of die-cast model cars, busses, trucks and airplanes.

A little more than a month ago, I accepted my current role as the Greg D. Tranter Collection Manager at The Buffalo History Museum.  You may say that I am in training to become the ‘resident Buffalo Bills expert.’  I am responsible for the cataloguing – what we call ‘accessioning’ – of the Buffalo Bills collection donated by Greg D. Tranter that was announced to the public at the end of April 2016.

 

GDT at desk. JUNE Blog

Greg is pictured at the desk where he does most of his preliminary work before sending the objects to us at the museum.

It isn’t just any “Buffalo Bills collection” though – in its entirety, it includes 100,000 artifacts and archival objects and it has been reported on heavily here in Buffalo and even as far as Boston.  The Sports Collectors Daily described the collection as “jaw-dropping” – I would agree, wholeheartedly.  For a Bills fan, it is jaw-dropping for the singular reason that it is an enormous collection celebrating our football team.  It celebrates the good, the bad and the ugly, depending on how you wish to interpret certain events: wide-right, anyone?  For me, it is jaw-dropping because of the complete and exhaustive collecting undertaken by Greg: for example, the collection includes every single program ever produced since the very first game in 1960; he isn’t missing a single one!  If a series of Christmas Ornaments was produced, Greg collected every one of them so that there would be a complete grouping.


Subj Card. JUNE blogSo, what’s happening with it?
The accessioning process for the tens of thousands of artifacts is going to take years and the steps we take to register an object can be time consuming, especially if it a multi-piece object (like a Tailgating themed pick-up truck with tailgating accessories – a grill, a couple of coolers, etc).  Every single object goes through our cataloguing process which includes a number of steps.  Once the white cotton gloves have been put on, an object is carefully handled and described: we take note of any labeling on the object or packaging, the condition it is in (we look for any scratches but also remark if it’s in excellent condition), and then we measure (for storage and display) and take photographs.  Every object is assigned a unique identifying number, what we call an Object ID; once the number has been assigned, we input all of the data into our cataloguing system, Past Perfect.  The end result is a Subject Card that gets added to our vertical files that are housed in filing cabinets (like the one in the photo to the right).  This allows us to have two points of reference; the new system of Past Perfect and the old catalogue-card system.

The final step in the process is to find a “home” for the object in our storage. We store everything in acid free boxes that are organized by classification.  This is done for the long-term preservation of an object but also to ensure easier discovery for future Collections staff.

Stein. JUNE blogOkay, so there is still a lot of work to be done. Can we still see the Collection even though it isn’t on display?
Absolutely!  We have lots of projects on the go to ensure that we are sharing the collection with you.  Over the next year, we’ll be putting together a virtual exhibit that will be accessible on our website (www.buffalohistory.org); it will include a variety of objects and related information, in addition to some oral histories shared by the donor, Greg.  Like the accessioning process, that will take time.  In the meantime, I plan to do a few more blog posts since I could talk forever about the parts of the collection that fascinate me (like the Art Baker jersey or the O.J. Simpson “See-Action” football board game and the “Bermuda Triangle” poster with Fred Smerlas, Jim Haslett and Shane Nelson)!  More immediate though, is our sharing on social media; if you don’t follow us on Instagram, Twitter or Facebook and you would like to see more of the Greg D. Tranter Buffalo Bills Collection, you should! We would love to hear your thoughts, memories and stories about an object we share – maybe you even have the same thing at home.

So, to end, I offer three things about myself:

  • I was convinced that the entire collection could fill the field at Ralph Wilson Stadium… but I have been assured that it probably can’t
  • The red standing buffalo logo is my favorite of all of the logos (it’s also Greg Tranter’s favorite logo!)
  • Of the few hundred objects I have accessioned thus far, this stein is my favorite object. It has a raised scene of a football game, complete with a quarterback and referees and an oversized logo at the front.

Go Bills!

Britt Call,
The Greg D. Tranter Collection Manager

Related Links:

Sports Collectors Daily – https://www.sportscollectorsdaily.com/jaw-dropping-buffalo-bills-collection-donated-museum/

Link to: My Collecting Passion: https://buffalohistorymuseum.wordpress.com/2014/09/06/my-collecting-passion/