Buffalo

ICONS: Grant “Home Run” Johnson

Grant_(Home_Run)_JohnsonAfrican-American Grant Johnson began his career as a fleet, power-hitting shortstop with the integrated semi-pro home town Findlay Sluggers, one of the fastest nines in the Hancock County, Ohio area. Able to hold their own against visiting Major League clubs, in October 1893 Johnson led his club to a 5 to 4 victory over the visiting National League Cincinnati team, hitting two home runs against the Majors’ top hurler, 35 game winner Tony Mullane.  In the following year, Johnson is reputed to have struck 60 home runs for his squad, thus earning his nickname of “Home Run.” The Sluggers of 1894 also boasted the venerable baseball skills of John “Bud” Fowler–perhaps the black baseball pioneer–at second base. In 1895, with the tragic onset of segregated baseball, Fowler and Johnson relocated to Adrian, Michigan, where they formed the formidable traveling Page Fence Giants.

These Giants claimed the honor of being the best club in black baseball in 1896. By 1899 they had migrated to Chicago, claiming a second championship in 1901 as the Columbia Giants. Johnson next moved to the New York City-based Cuban X-Giants, helping to lead them to a championship over the Philadelphia Giants in 1903. In 1905 Johnson, now the shortstop with the Philadelphia Giants, helped lead that club to an Eastern championship.  He also picked up a reputation as a fine spot starter as a pitcher, winning six games in 1905.

Off the field, Johnson was one of the men who helped to form the National Association of Colored Professional Clubs of the United States and Cuba, predating the formation of the great Negro National Leagues of the 1920s and 1930s. Returning to New York City, Johnson managed/captained his Brooklyn Royal Giants to consecutive championships in 1908 and 1909. In 1909, Johnson also took time out to get married in Florida while on route to Cuba winter ball.

Equally a star in Cuban baseball, Johnson’s teams won championships in the 1908/09 and in 1911/12 seasons, with Johnson captaining the latter squad.  In a 1910 series in Cuba against the Detroit Tigers, he hit big league pitching for a .412 average, outslugging Ty Cobb.  And in other exhibition games against other Major Leaguers throughout his career, he was noted for his prowess by none other than Walter Johnson, victor of 417 Major League games for the American League Washington Senators.

The early years of the 1910s found Johnson penciled in at second base first for the Leland Giants and then for the New York Lincoln Giants, making way for the younger John Henry Lloyd (Hall of Fame) at shortstop. The Lincolns claimed the Eastern Independent Clubs championship trophy in 1913, Johnson leading the team in hitting with a .452 average–at age 41.

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Deleware diamond, 1927.

After 20 years in the top tiers of black baseball competition, 1915 found Johnson, now 43, in Buffalo, New York, managing and shortstopping the semi-pro Pittsburgh Colored Stars of Buffalo. He would continue his affiliation with Buffalo until his death in 1963, leading the Colored Stars for many years as both shortstop and, later, second baseman, playing with friend and Hall of Fame outfielder Pete Hill on Hill’s Colored Elks, and continuing to face off—and hold his own—against Major Leaguers, including Babe Ruth in 1920.   Developing young new black baseball talent was Johnson’s gift to his players, and for this phase of his career he garnered the nickname “Dad.” He was a man of fine reputation, a non-drinker, non-smoker and an excellent role model for his young charges, still taking the diamond at age 61 in semi-pro appearances.

 

Re-integration of Organized Baseball in Buffalo did not come until 1946 with the appearance of Jackie Robinson in a Montreal Royals (International League) uniform on May 19, 1946 at Offermann Stadium, but in truth the first men with the courage to integrate Buffalo baseball were Home Run Johnson and his teammate John Emory, playing in the Buffalo Municipal Baseball League for the white semi-pro Phoebe Snows of Lackawanna against the white Buffalo Oakdales on Diamond No. 2 in Delaware Park on June 24, 1917.

Of significant note for Buffalo’s cultural history are Johnson’s off-field accomplishments as a gifted singer.  Blessed with a beautiful baritone voice that first found outlet in his AME church in Findlay, Johnson and other ballplayers exercised their vocal skills on barnstorming trips, later finding his voice with the Buffalo Clef singing group and as a founding member of the Buffalo Choral Society. The latter group recognized him for his contributions at a gathering in 1958, by which time he had become a resident of the Erie County Home for the Blind.

Grant Johnson died on September 4, 1963 in Buffalo, New York.  He is buried in Lakeside Cemetery in Hamburg, New York, Section 3, Row 22, Grave 27. A headstone and plaque was placed on June 24, 2014, made possible by:  Lakeside Cemetery, Benefactors of the Forest Lawn Heritage Foundation, the Negro Leagues Baseball Grave Marker Project and Friends of Buffalo Baseball History.

Howard W. Henry, Jr.
Founder of Friends of Buffalo Baseball History
hwhjr98@gmail.com  

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Seamheads.com research as of 2014 credits Johnson with a 15-year Negro League batting average of .336.

Thanks to Gary Ashwill for review and additions/corrections to this article, and to Jeremy Krock for guidance in the grave marker project.

 

Participate In Our Next Exhibit

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Would you like to participate in an upcoming Buffalo sports exhibit? Here’s how: The Buffalo History Museum is planning a feature exhibit, Icons: The Makers and Moments of Buffalo Sports. Opening in 2017, the exhibit will explore Western New York’s rich sports history and investigate the unique connection between fans and our beloved local teams.

We’re collecting memories from the community to help shape our story. The survey will take 15-20 minutes of your time, and asks you to recall who you remember to be the top ten moments, figures and teams. Your submissions will help shape the exhibit by determining the stories we highlight.

Follow the link for the survey: Icons: The Makers and Moments of Buffalo Sports Survey

The Greg D. Tranter Collection Manager, the Buffalo Bills Collection and what to expect in the Future

BRC at desk. JUNE blog
Here I am surrounded by my current project – working my way through the collection of die-cast model cars, busses, trucks and airplanes.

A little more than a month ago, I accepted my current role as the Greg D. Tranter Collection Manager at The Buffalo History Museum.  You may say that I am in training to become the ‘resident Buffalo Bills expert.’  I am responsible for the cataloguing – what we call ‘accessioning’ – of the Buffalo Bills collection donated by Greg D. Tranter that was announced to the public at the end of April 2016.

 

GDT at desk. JUNE Blog

Greg is pictured at the desk where he does most of his preliminary work before sending the objects to us at the museum.

It isn’t just any “Buffalo Bills collection” though – in its entirety, it includes 100,000 artifacts and archival objects and it has been reported on heavily here in Buffalo and even as far as Boston.  The Sports Collectors Daily described the collection as “jaw-dropping” – I would agree, wholeheartedly.  For a Bills fan, it is jaw-dropping for the singular reason that it is an enormous collection celebrating our football team.  It celebrates the good, the bad and the ugly, depending on how you wish to interpret certain events: wide-right, anyone?  For me, it is jaw-dropping because of the complete and exhaustive collecting undertaken by Greg: for example, the collection includes every single program ever produced since the very first game in 1960; he isn’t missing a single one!  If a series of Christmas Ornaments was produced, Greg collected every one of them so that there would be a complete grouping.


Subj Card. JUNE blogSo, what’s happening with it?
The accessioning process for the tens of thousands of artifacts is going to take years and the steps we take to register an object can be time consuming, especially if it a multi-piece object (like a Tailgating themed pick-up truck with tailgating accessories – a grill, a couple of coolers, etc).  Every single object goes through our cataloguing process which includes a number of steps.  Once the white cotton gloves have been put on, an object is carefully handled and described: we take note of any labeling on the object or packaging, the condition it is in (we look for any scratches but also remark if it’s in excellent condition), and then we measure (for storage and display) and take photographs.  Every object is assigned a unique identifying number, what we call an Object ID; once the number has been assigned, we input all of the data into our cataloguing system, Past Perfect.  The end result is a Subject Card that gets added to our vertical files that are housed in filing cabinets (like the one in the photo to the right).  This allows us to have two points of reference; the new system of Past Perfect and the old catalogue-card system.

The final step in the process is to find a “home” for the object in our storage. We store everything in acid free boxes that are organized by classification.  This is done for the long-term preservation of an object but also to ensure easier discovery for future Collections staff.

Stein. JUNE blogOkay, so there is still a lot of work to be done. Can we still see the Collection even though it isn’t on display?
Absolutely!  We have lots of projects on the go to ensure that we are sharing the collection with you.  Over the next year, we’ll be putting together a virtual exhibit that will be accessible on our website (www.buffalohistory.org); it will include a variety of objects and related information, in addition to some oral histories shared by the donor, Greg.  Like the accessioning process, that will take time.  In the meantime, I plan to do a few more blog posts since I could talk forever about the parts of the collection that fascinate me (like the Art Baker jersey or the O.J. Simpson “See-Action” football board game and the “Bermuda Triangle” poster with Fred Smerlas, Jim Haslett and Shane Nelson)!  More immediate though, is our sharing on social media; if you don’t follow us on Instagram, Twitter or Facebook and you would like to see more of the Greg D. Tranter Buffalo Bills Collection, you should! We would love to hear your thoughts, memories and stories about an object we share – maybe you even have the same thing at home.

So, to end, I offer three things about myself:

  • I was convinced that the entire collection could fill the field at Ralph Wilson Stadium… but I have been assured that it probably can’t
  • The red standing buffalo logo is my favorite of all of the logos (it’s also Greg Tranter’s favorite logo!)
  • Of the few hundred objects I have accessioned thus far, this stein is my favorite object. It has a raised scene of a football game, complete with a quarterback and referees and an oversized logo at the front.

Go Bills!

Britt Call,
The Greg D. Tranter Collection Manager

Related Links:

Sports Collectors Daily – https://www.sportscollectorsdaily.com/jaw-dropping-buffalo-bills-collection-donated-museum/

Link to: My Collecting Passion: https://buffalohistorymuseum.wordpress.com/2014/09/06/my-collecting-passion/

Greetings from the Program & Engagement Coordinator

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Megan MacNeill, Program & Engagement Coordinator with actor Josh Gad, who came to visit the museum while in Buffalo filming.

Hello! My name is Megan, you may have seen me here at The Buffalo History Museum, running programs, crafts, and activities! As Program and Engagement Coordinator, I am tasked with creating and running lectures, our ever-popular Train Day, and many other events throughout the year. While I am not a native Buffalonian, I have come to love my new city, and all the history and experiences that it has offered me.

I have been in my position here for a year and a half, and it has flown by! Previously, I lived, studied, and worked in Philadelphia, PA. I went to graduate school and received my MFA in Museum Exhibition Planning and Design. Before I came to Buffalo, I had worked in nine different museums and many different disciplines; from horse racing and dance, to outsider art and the history of chemistry. Regardless of the museum, the amazing stories are what keeps me passionate about my work (and an ever-hopeful Jeopardy! candidate). For instance, the first synthetic dye was developed on accident by a man named William Henry Perkin. When he created that bright mauve color, he was hoping for a synthetic quinine to help treat malaria. My favorite stories here are the not-so-apparent ones. The hidden fossils in the floor of the State Court, the tiny “make-due” piece of a blue star in a quilt, and the symbolism in our WWI propaganda posters.

My love for museums, like many of my peers and colleagues, came from an early age. When I was little my family would take yearly trips to Washington, D.C. My sister and I would drag my parents to the same exhibit, the gemstone room at the National Museum of Natural History. We were fascinated by the colors and sizes, and of course, the Hope Diamond.hopediamond(courtesy of SI) I am incredibly fortunate; every vacation we took as a family featured at least one day-trip to a museum or historic site. Though my parent’s ploy to make us learn may have worked too well, my dad almost kicked my sister and I out of the van on a trip home from Cape Cod because we so desperately and relentlessly were asking to visit the Sandwich Glass Museum again. Luckily we stopped for a visit. What sticks with me just as much as the stories and facts that I’ve learned, is the time spent with loved ones. I feel that museums have a dynamic way of opening us up to learning and also to being in the moment and connecting with each other. This is why I love what I do. Providing our guests with the opportunity to engage not only with our objects and exhibits, but with each other.
So please come viCyanotypeinProgresssit us! Every Third Friday I run hands-on activities in our State Court. They are free and accessible to all ages. In June, we made solar prints. Harkening back to my days as a photography major, we placed found objects on light-sensitive paper, and created our own cyanotypes.

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This summer I will be representing the museum down at Canalside as well! Come see some great old views of the historic canal district (sourced from our library of course) and learn about the history of the Erie Canal! Mondays 12-4, Wednesdays 11-3.

The Tides of Change

AG_BabyShowerIt is amazing the difference only a year can make. The summer of 2015 was carefree, full of late nights with friends and packed with preparation for all the events held at The Buffalo History Museum. It was one of my favorite summers to date; I tried to soak it all in and garner as many memories as possible. IMG_0039I knew – I just knew that no other summer would be the same, you see I was pregnant with my first daughter. Darcy Rose entered the world after a smooth pregnancy in late November of 2015. And I was right, this summer is not the same, she has been life changing – in the best way possible.

POTPWhile last summer was fun; having that pregnancy glow, everyone congratulating you, even receiving all that advice, all while working as hard as possible to present The Museum in the best way – this summer is better. I may have been the one pregnant but when Darcy was born she entered more than just her small family of myself and her father, the whole Museum adopted her. She will grow up here at the Museum, at our Food Truck Rodeos and Toddler Story Time. I am excited to introduce Darcy to all the people and things I love about The Buffalo History Museum.

Darcy SunglassesBeing a working mom is hard and not only for the mom. Schedules can change suddenly, what worked before may not work now. Through all the trials and tribulations my fellow staff members have been amazing. As a new mother The Buffalo History Museum has come to mean more than a place to enjoy and work. It has become a legacy of fun and education for my friends and family.

Alexis Greinert
Membership & Events Manager

Porch Party!

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The Buffalo History Museum grooves into its 11th Annual Party on the Portico summer happy hour series on M&T Third Fridays – June, July, and August. The popular outdoor summer soiree features historic delights and great live music – all happening the most magnificent back porch steps and surrounding grounds in town. This year’s line-up brings to stage a mix of young talent swinging the local scene and the finest venerated musicians around. First up (June 17) is Fredtown Stompers (Sean Ebert, trumpet/cornet/vocals; Mike “Magoo” McGough- piano/vocals; Melissa Sauers, clarinet /vocals; Ralph DeMarco, tenor sax; Brian DeJesus, bass; Brian McKenna, drums) a fun six-piece band who bring Dixieland tunes into full swing. Nothing says summer like some good Naw ‘leans jazz in Western New York. Next (July 15) features the sultrier side of summer with The Shadows featuring DeeAnn DiMeo. All with a pulse will groove and dance to the smokin’ hot soul and R&B music by venerated musicians: Bob Falk (guitar, vocals); Ron Davis (keyboards vocals); Reggie Evans (drums, vocals); and, Chris Haug (bass). Finally (Aug 19), and so worth the wait, The Willies take the stage with Buffalo’s revered players: Willie Schoellkopf (guitar, vocals); Bob Falk (guitar, vocals); Jim Ehinger (keyboards, vocals); Steve Sadoff (Fender bass); and, Mike Phelps (drums). Clapton, The Band, and Steely Dan lovers become joyful when this band cuts loose.

2015-08-21 16.47.23Party on the Portico, guests meet up with friends and enjoy live music, party snacks, cash bar, free 15-minute mini tours of the Museum, and spectacular views of Delaware Park. Always a great time…Come hang on our porch with us!

Time: 5:30 – 8:30 pm
Tix: $5 member/$10 general (Tickets go on sale May 15)
Additional parking in McKinley High School lot
The general public may contact 716-873-9644 / info@buffalohistory.org  or visit www.buffalohistory.org.
The series runs rain or shine and is exclusively for guests ages 21 and over.
Party on the Portico – August is sponsored by Medaille College
M&T THIRD FRIDAYS is sponsored by M&T Bank.
Media Sponsor: WBBZ-TV

Constance Caldwell
Director of Communications and Community Engagement

 

A Day in the Life…

Spring 2016 Newsletter Cover

Spring 2016 Newsletter Cover

Part of my job as the Graphic Designer here at The Buffalo History Museum is to layout our quarterly newsletter, The Album. Each newsletter has a different theme that then translates down to the content and cover image, for example last month’s theme was “Connections.” Our summer theme is “Celebrations,” where we will be featuring upcoming museum events, exhibits, and artifacts fit for a celebration!

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Catalogue boxes and file folders filled with images from TBHM collection.

I went right to our Research Library in search of the perfect cover image, which was harder than one would think. Celebrations should be easy to find, right? People having fun at a party, smiling candidly, clinking champagne flutes…or not. With the help of our Librarian, Cynthia Van Ness we had to think of some “outside the box” categories to broaden our image search.

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Canisius High School Father-Son Football banquet, 1936

First up were program books from local parties of the past, while there were some interesting finds, like this adorable football invite for a Canisius high school banquet from 1936, most did not have much imagery to them. Next we tried to focus in on celebrations that happened at The Buffalo History Museum, past exhibit openings, Annual Meetings, milestone anniversaries etc., but sadly cover worthy images still eluded us.

StoryBookParade

Storybook Land parade, 11.14.1959

Then, jackpot! After changing our party-centric mindset we moved toward parades and picnics and there came the celebratory moments we’ve been searching for! Let me tell you there were a wide variety of parades held in Buffalo; Loyalty day, Ringling Brothers and Barnum Baily Circus Parade, Allentown Village Society Parade, and even a Storybook Land Parade.  The picnic photos were eye-catching as well as capturing summer holidays grilling with family or laughing in the park.

Now for which image won the cover you will have to wait in see. The summer issue of The Album will be out by the end of May, stop in the museum for a copy or grab a membership and have the issue delivered right to your door!

Jennifer Nichols
Graphic Designer/Marketing Associate

142 years old and still in service: Buffalo’s oldest bridge

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International Railroad Bridge, opened in 1873.

Thousands of Thruway drivers pass it around the clock with a quick glance at best. It has been in service for over 51,000 days, built before the invention of the automobile, airplane, and Alexander Graham Bell’s telephone.  It shares a birth year with the first typewriter to have a QWERTY keyboard. It opened for business in 1873 during Ulysses Grant’s administration as the International Railroad Bridge.

The need for a rail crossing between Buffalo and Fort Erie became evident after the Suspension Bridge opened in Niagara Falls (1854) and the area was soon overwhelmed by rail traffic. Negotiations between the State of New York and the Dominion Parliament began in 1857 but were interrupted by the Civil War. Finally, in 1870, Congress and Parliament agreed on terms and budgeted $1,500,000 for the project. The International Bridge Company, formed by the Grand Trunk Railroad, was awarded a charter to design and construct the bridge. The Gzowski-MacPherson Company won the contract and began work, supervised by Polish-Canadian engineer Sir Casimir Gzowski (1813-1898).

Gzowski must have been a gifted child, because he entered the Military Engineering College at Kremnitz at age 9. As a young man, he took part in Polish uprisings against the Russian forces. Exiled to New York after the defeat of these efforts, Gzowski learned English, studied law, and eventually settled in Toronto, where he supervised public works on roads and harbors in Ontario and Montreal and developed an interest in rail engineering.

When Gzowski began work on the International Bridge, a crossing at this point was considered impossible. The currents of the Niagara River were too swift and treacherous, the water levels too unpredictable, the ice build-up too heavy, and the storms too intense. Gzowski was almost 60 when he took on the challenge.

In spite of construction challenges and setbacks, the 1.11 mile bridge opened on November 3, 1873 without the loss of any lives. It quickly became one of the busiest international crossing points in North America. In 1890, Gzowski was knighted by Queen Victoria.

While the bridge mostly carried freight trains, until 1934 it also carried one daily passenger car. It had wooden plank sidewalks until 1900, when the trusses were fully redesigned and replaced. Its busiest day was July 10, 1916, when 264 trains crossed. Today it serves 15 trains per day and is a handsome, sturdy reminder of 19th century engineering prowess.

Read more about it:
https://archive.org/details/cihm_05136
Gzowski, Casimir Stanislaus
Description of the International Bridge: Constructed over the Niagara River, near Fort Erie, Canada, and Buffalo, U.S. of America
Toronto: Copp, Clark & Co., 1873

TG445 .I6
The international railroad bridge, Fort Erie to Buffalo, 1873-1973 and Colonel Casimir S. Gzowski
Buffalo, NY : Published by Association of Professional Engineers of Ontario, Engineering Institute of Canada, N.Y. State Society of Professional Engineers, Erie-Niagara Section, American Society of Civil Engineers, Buffalo Section, ©1973


Cynthia Van Ness, MLS
Director of Library & Archives

*This article was featured in The Buffalo History Museum‘s Fall 2015 issue of The Album.

Spotlight Artifact: Niagara Gorge Suspension Basket

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Basket, Suspension Iron Judge T.G. Hulett Ca. 1847

In 1846, New York State granted a charter to the International Bridge Company to build a suspension bridge across the Niagara River. At the same time, Canada granted a charter to the Niagara Falls Bridge Company of Canada West for the same purpose. The two companies came together to form a joint board of directors and hired Charles Ellet, Jr., a noted engineer and bridge builder from Philadelphia to build a wire railroad suspension bridge across the Niagara river about two miles below the Falls. It was Charles Ellet, Jr. who approached Theodore Graves Hulett about overseeing the iron works for the bridge and came to him with the first task of establishing a convenient means of communication across the gorge.

The Niagara gorge suspension basket has always drawn visitors’ attention. Constructed to carry people, with their tools and messages, across the Niagara gorge below the Falls, Ellet originally planned for this car to be made of wood. He wanted to build two towers on either bank with a wire cable stretched between and a car or basket suspended from the cable, large and strong enough to carry at least two people.  T.G. Hulett eventually convinced Ellet that a basket made of iron, with wooden seats, would be light enough to cross the wire with the use of iron rollers, but be strong enough to support passengers. The first passage was in the spring of 1848 and was made by Charles Ellet, Jr. This basket carried workmen and civilians alike, and it is estimated that approximately three-fourths of the passengers were women.

Rebecca Justinger
Registrar

*This article was featured in The Buffalo History Museum‘s Fall 2015 issue of The Album.

Abraham Lincoln and Buffalo, NY

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The Lincoln statue was originally located in the State Court, it was commissioned by the Lincoln Birthday Association, founded by, and in honor of Buffalonian Julius E. Francis. (Charles H. Niehaus, Sculptor; 1902)

“Tens of thousands shall inhabit this country where only thousands inhabit it now.”

President-elect Abraham Lincoln arrived at Buffalo’s Exchange Street Station on the evening of Saturday, February 16, 1861, while journeying to Washington for his inauguration. Today the site is occupied by a modern Amtrak station.

Lincoln was met by former President Millard Fillmore and an enormous, enthusiastic crowd. By some estimates, 75,000 citizens swarmed downtown Buffalo to get a glimpse of the new president.

After making his way through the crowds to the American Hotel, Mr. Lincoln appeared on the balcony and was welcomed by the acting chief magistrate. The site of the American Hotel is now occupied by the Main Place Mall. 

Readers may be interested to know what he said to Buffalo on that day: “MR. MAYOR AND FELLOW CITIZENS:—I am here to thank you briefly for this grand reception given to me not personally, but as the representative of our great and beloved country. Your worthy Mayor has been pleased to mention in his address to me, the fortunate and agreeable journey which I have had from home—only it is rather a circuitous route to the Federal Capitol. I am very happy that he was enabled, in truth, to congratulate myself and company on that fact.

It is true, we have had nothing thus far to mar the pleasure of the trip. We have not been met alone by those who assisted in giving the election to me; I say not alone, but by the whole population of the country through which we have passed. This is as it should be. Had the election fallen to any other of the distinguished candidates instead of myself, under the peculiar circumstances, to say the least, it would have been proper for all citizens to have greeted him as you now greet me. It is an evidence of the devotion of the whole people to the Constitution, the Union, and the perpetuity of the liberties of this country. I am unwilling, on any occasion, that I should be so meanly thought of as to have it supposed for a moment that these demonstrations are tendered to me personally. They are tendered to the country, to the institutions of the country, and to the perpetuity of the liberties of the country for which these institutions were made and created.

Your worthy mayor has thought fit to express the hope that I may be able to relieve the country from the present, or, I should say, the threatened difficulties. I am sure I bring a heart true to the work. For the ability to perform it, I trust in that Supreme Being who has never forsaken this favored land, through the instrumentality of this great and intelligent people. Without that assistance I should surely fail; with it I cannot fail.

When we speak of the threatened difficulties to the country, it is natural that it should be expected that something should be said by myself with regard to particular measures. Upon more mature reflection, however, I think,—and others will agree with me—that, when it is considered that these difficulties are without precedent, and never have been acted upon by any individual situated as I am, it is most proper that I should wait and see the developments, and get all the light possible, so that, when I do speak authoritatively, I may be as near right as possible. When I shall speak authoritatively, I hope to say nothing inconsistent with the Constitution, the Union, the rights of all the States, of each State, and of each section of the country, and not to disappoint the reasonable expectations of those who have confided to me their votes.

In this connection, allow me to say that you, as a portion of the great American people, need only to maintain your composure, stand up to your sober convictions of right, to your obligations to the Constitution, and act in accordance with those sober convictions, and the clouds which now arise in the horizon will be dispelled, and we shall have a bright and glorious future; and, when this generation shall have passed away, tens of thousands shall inhabit this country where only thousands inhabit it now. I do not propose to address you at length. I have no voice for it. Allow me again to thank you for this magnificent reception, and bid you farewell.”

Source:
Crosby, Frank
Life of Abraham Lincoln, Sixteenth President of the United States: Containing His Early History and Political Career; Together with the Speeches, Messages, Proclamations and Other Official Documents Illustrative of His Eventful Administration, pp. 75-77. Philadelphia, PA: J.E. Potter, 1865.

Crosby’s book is online in full text at Google Books. Paragraphs were added for the purpose of this article.

Cynthia Van Ness, MLS
Director of Library & Archives

*This article was featured in The Buffalo History Museum‘s Spring 2015 issue of The Album.

** For more Lincoln love join the Buffalo Civil War Roundtable as they celebrate President Lincoln’s Birthday. There will be a short program and a Lincoln orator. Join uniformed re-enactors as they perform a rifle salute on the Portico. Local authors will be present and there will also be activities for the whole family. Sunday, February 14, 2016 from 12-2pm. FREE. More info at buffalohistory.org.